The collection's 38 interviews document the Tunisian revolution (2010-2011) and the period of the transitional governments (2011-2014), with a particular emphasis on the technocratic government of Prime Minister Mehdi Jomaa (January 2014-December 2015).
Read MoreThis project explores Americans who identify as white or partially white think about their racial identities, along with a variety of other issues. We surveyed 850 participants in three U.S. cities and interviewed 116 of these participants.
Read MoreThis collection documents the life experiences of LGBTQ individuals who are alumni of Columbia University or are otherwise affiliated with the university.
Read MoreThis oral history documents the life and legacy of renowned American Artist Robert Rauschenberg (1925-2008). It focuses on Mr. Rauschenberg’s impact on the avant art world of the 1950s, 60s and 70s, and the conditions for creativity that inspired his work, comprise the framework for the project’s design.
Read MoreThis oral history project documents the Institute's substantive role in area studies and academia and its influence on the making of U.S. foreign policy towards the Soviet Union, Russia, and Eurasia.
Read MoreThe Phoenix House Oral History Collection documents three periods of Phoenix House's work: origins, growth, and established leadership. I
Read MoreThis database — which was digitized and archived by INCITE — contains the names, addresses, and seat locations for Philharmonic subscribers dating back to the 19th century.
Read MoreThe IRWGS Oral History Project was guided by a set of research questions, which emphasized the role of IRWGS as an political actor within the broader context of Columbia University, agitating for the inclusion of feminist analysis and practice, and working to do so, in its early years, without much institutional support from the university.
Read MoreConducted in conjunction with the Apollo Theater Foundation in anticipation of the theater's 75th anniversary, those interviewed for this collection include performers in music, dance, and comedy; business managers; music industry employees; previous owners; and audience members who recount their relationship with the Apollo and their perceptions of its legacy.
Read MoreIn the histories and narratives gathered by the Rule of Law Oral History Project, the intellectual and legal connection between these different arenas of work concerns the degradation of the right of habeas corpus and the fundamental lack of due process rights available to prisoners in United States jails and military prisons.
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